Cmin II V I Phrase *with the Altered Scale* 🧠 Progression: Dm7(b5) | G7alt | Cm6 Today we are using the G altered Scale: G Ab A# B C# D# F R m2 A2 M3 A4orD5 A5orm6 m7 *A=augmented ; D=Diminish This is a very unique scale with its origins in the C Melodic minor (but that’s a later talk). Notice how in the phrase, we can actually start to apply the scale from half way in the Dm7(b5) chord. It is a very unique scale to create more “out” sounds within a progression. In a specific Minor II V I progr