New York Classical Review1d
Met’s enjoyable”Zauberflöte” finds true art in theatrical artifice
Sunday afternoon, the Metropolitan Opera opened its revival of Simon McBurney’s production of Mozart’s Die Zauberflöte.
New York Classical Review1d
WA Sinfonietta makes energetic debut with Neidich as conductor-soloist
The latest entry in this field, the WA Sinfonietta founded by clarinetist and conductor Charles Neidich, made an auspicious ...
New York Classical Review5d
Cleveland Orchestra’s extraordinary playing brings fresh meaning to familiar music
Wednesday night’s Carnegie Hall concert from the Cleveland Orchestra, conducted by music director Franz Welser-Möst, was ...
New York Classical Review12d
Holliger quartet revealed as masterpiece by JACK Quartet
Cutting Edge Concerts doesn’t always present music that fits its name, but artistic director Victoria Bond’s choice to open ...
New York Classical Review11d
Driver brings a myriad of illumination to Carnegie recital
Some concerts illuminate a single idea. Danny Driver’s recital at Carnegie Hall Thursday evening illuminated many, revealing ...
New York Classical Review11d
From Varèse to Gershwin and a Ravel premiere, Dudamel does it all with Philharmonic
Gustavo Dudamel made a rare visit to his orchestra-to-be Thursday night, energetically leading the New York Philharmonic in ...
New York Classical Review13d
Philharmonic to cast a wide net of artists, repertoire in 2025-26 season
In the New York Philharmonic’s 2025-26 season, Frederic Rzewski’s piano work The People United Will Never Be Defeated! will be presented in a newly commissioned orchestration, with the variations ...
New York Classical Review10d
Nilsson’s luminous debut lifts the Met’s Tomb Raider “Aida”
Nilsson may be the most demure Aida ever to grace the Met stage. Her simple sheath instantly marks her as an outsider, but her regal bearing is that of a princess. Simplicity was Nilsson’s trump card, ...